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The age of anxiety
In the last two decades of the 19th century the positivistic
faith in progress and science had led people believe that human misery would be
swept away. The first World War left the country in a disillusioned and cynical
mood. Nothing seemed to be right or certain; even science and religion seemed
to offer little comfort. The first set of new ideas was introduced by Sigmund Freud with the power of the
unconscious and the introduction of "relativity" in science by Albert Einstein. The problem that stay
behind all these manifestation of uncertainty was the inability to arrive at a
commonly accepted picture of
Modernism
The term Modernism refers to a
movement which dominated the sensibility and aesthetic choices of the great
artists. It implied an assumptions of introspection and technical skill. In
painting Fauvism with its stress on
the supremacy of color. In 1907 Pablo
Picasso and George Braque began
to develop Cubism. After we have the Abstract Painting with Kandinsky, the Vorticism in
A new realism
The second decade of our century seen a shift from Victorian to modern novel. This change was characterized by a gradual transformation of British society. This new "realism" was influenced by French and Russians writers. Two factors that helped to produce the modern novel were the new concept of time and the new theory of unconscious. The novelist rejected omniscient narration, there is the creation of new narrative techniques, the stream of consciousness or interior monologue. It's possible to distinguish three groups of novelists:
The interior monologue
The 20th century writers understood it was impossible to reproduce the complexity of the human mind using traditional techniques. Then they adopted the interior monologue to represent the activities of mind. The interior monologue is often confused with the stream of consciousness: in fact the former is the verbal expression of a psychic phenomenon, while the latter is the psychic phenomenon itself. The internal monolog was characterized by different forms like the soliloquy and the dramatic monologue.
James Joyce
James Joyce was born in
Joyce was influenced by Jesuits and he was in conflict with the Church. James Joyce was almost blind so sound of words was very important to him. Joyce's novels open in media res and the character is based on introspection. Impersonality is used by the artist to render life objectively. Joyce in his style underlines the exploration of the characters 'impressions, the free direct speech and the interior monologue.
Ulysses
Plot
The central character, Leopold Bloom, is Joyce's common man, a parody of the wandering Odysseus and an embodiment of the wandering Jew. He leaves his home at eight o'clock on a Thursday morning in June to buy his breakfast and return finally a two o'clock the following morning. In these hours he lands on many streets, endures misadventures and delight, recalls the unfaithfulness of his wife and the death of his little son.
Joyce's Ulysses was a new form of prose based on "the mythical method", this method allowed the author to make a parallel with the Odyssey. Ulysses is the climax of Joyce's creativity. He planned everything, everyplace, every moment of the work and he set the work in places where he had been. Ulysses, like the Odyssey, is the story of a journey, it is divided into three parts, "Telemachiad", "Odyssey" and "Nostos". Ulysses is divided into eighteen chapters related to a Homeric episode and behind every episode there is a theme alluding to a color, a symbol, an organ of the body. The narrative techniques used in the work are the stream of consciousness, the cinematic technique, questions and answer and dramatic dialogue. In Ulysses he brought to perfection the interior monologue.
Text analysis [Ah Yes!]
This passage is the conclusion of Ulysses
and it is the most celebrated example of stream of consciousness, in fact,
thoughts are reproduced directly in their fragmentary structure. The first line
are made up of simply thought. The places where the events Molly remembers took
place are
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